Return to Previous Page

Product Description

The C100 HD PLUS is a fully scalable digital Broadcast Console designed to enable experienced audio engineers to meet the challenges of even the most demanding HD broadcast production applications. It is a custom configured system where, through pre-sale consultancy, console, processing, routing and I/O are tailored to match individual user requirements. Proven reliability, and fully mirrored redundant system configuration mean C100 provides total reassurance of system integrity. C100 is ideal for mid to large scale broadcasters and offers elegant multi studio, multi control room audio asset sharing, controlled from the console. The C100 compact convection cooled frame also makes it an optimal solution for OB Vehicle installation. C100 consoles are in use for News, Sports, Entertainment and Broadcast Production, worldwide, every day.

Key Benefits
  1. Comprehensive 5.1 production tools with superb metering & monitoring, flexible bus architecture, single fader stem control, intuitive panning system and stereo to 5.1 Upmix
  2. Benchmark audio quality and a full array of precision audio processing tools
  3. 512 input channels, 256 full DSP processing channels and 256 non processed channels
  4. Modular I/O, scalable Control Surface and Processing upgrades that don’t require new hardware, let you specify the right system for today with flexible future expansion
  5. Proven robust reliability and ultimate Redundancy with every aspect of the system configurable as two fully mirrored systems
  6. Ergonomically advanced control surface that is elegant, comfortable, logical and freelance friendly. Dedicated processing per channel means no DSP compromises
  7. SSL’s Dialogue Automix system takes the strain of mic fader manipulation for fast paced productions leaving the engineer free to focus on overall production quality and preparation
  8. Advanced broadcast system integration with Pro-Bel SWP-08 suppoprt, Ross Overdrive, Grass Valley Ignite, Sony ELC & Mosart Medialab Production Automation interfaces and extensive
  9. GPI parameter control
  10. DAW control delivers better ROI via post production during down time
  11. Unrivalled pre and post sale support, professional installation and exemplary training from SSL’s renowned worldwide support network
Please follow and like us:
More Info

Additional Information

Hardware architecture:

Frame sizes from 16+8 to 72+8 faders, with dual mains inlets and redundant PSUs
Blackrock processor core with RAID B disk array, providing console control interface and self-healing audio processing
Option to upgrade to dual Blackrock processor cores, offering total 1+1 redundancy for CPU, DSP, MADI I/O, HDD, and file system
4 MADI I/O ports or a redundant Blacklight port offering up to 256 channel audio interfacing, with embedded control data for all SSL I/O solutions
Option to upgrade to I MADI I/O ports, 4 Madi Ports together with a Redundant Blacklight port, or two redundant Blacklight ports offering up to 512 channel audio interfacing
Integration Computer providing secured network login for file management, SNMP and remote diagnostics
MORSE optical MADI routing option allows networked resource sharing and extensive IO capacity
Option to expand GPI/O via network controlled 24 or 48 channel 1U units
Production automation interface

DSP architecture:

256 full mono input channels , each with dedicated E-band EQ, Comp/Lim, Gate, Alt. Input, Insert and Direct Output
Second input path provides up to 512 channels to mix
24 mono Utility Busses for Mix Minus, IFB, recording and clean feeds – can be formatted as 5.1, stereo or mono
24 mono Aux busses with odd/even stereo bus linking
16 dedicated ASG buses, formatted as 8 x stereo or 2 x 5.1 & 2 x stereo, with inserts and comp/lim processing
12 dedicated PGM buses, formatted as 2 x stereo, 2 x 5.1, or 1 x 5.1 & 1 x stereo, with inserts, comp/lim, and LFE filters
Dual independent channel outputs can provide ‘N-1 and direct recording feeds simultaneously
GE Delay modules, 5.4 seconds each, assignable to input channels, ASG buses and Program buses or as stand alone delay channels to feed monitoring and comms circuits
Independent stereo PFL and AFL monitoring
4 x 12 way external monitor source selectors (5.1/stereo)
16 mono direct inputs with level, on/off and AFL, can be linked for stereo/5.1 operation and can feed any and all console buses
2 communications mixes, each with 2 x stereo source selection, level, on/off, AFL, T/B and on-air mute logic
3 monitor buses, in 5.1, stereo and stereo/mono formats, with insert point, source selection, solo/mute, phase and level control
In-built 5.1 BLITS tone generator routes to all 5.1 format PGM, ASG, Channel and Utility Buses

C100 HDS

Max Height 100.6cm (39.61")
Height Adjustment -0,+1cm (-0",+ 0.39")
Width 40 fader (flat end trim) 143.1cm (56.34")
Each bay adds/contracts 28.5cm (11.22")
Contoured end trim adds 7.2cm (2.83")
Max Depth 92.6cm (36.46")
Weight (40 fader) ~190kg (~419lb)
Each bay adds weight ~35kg (~77lb)
Console Power 100-240V AC
(dependent on frame size) 300-700W
Control Surface Cooling Method Convection (silent)

Back to top