Product Description
Six-fader Axia® RAQ console provides a convenient way to add a physical mixing surface nearly anywhere, no matter how space-limited. RAQ has six rotary faders with OLED channel options displays, two stereo mixing buses and Preview (cue) bus, a high-resolution OLED meter display with switchable VU / PPM ballistics, and monitor / headphone controls for auditioning of Program buses or two assignable External monitor source selections.
RAQ is built for heavy duty work. Aircraft-quality switches feature all-LED lighting. The anodized metal work surface features rub-proof, etched markings that can’t rub off. Smooth, accurate rotary faders with push-on/push-off channel switches make fast work of audio control. And RAQ features Axia’s famous fully-automatic mix-minus for phone callers and codec sources, too. Show Profiles give instant recall of up to 4 pre-defined console “snapshots”.
RAQ is ideal for standalone installation, but networks with larger Axia networks too. A RAQ control surface and a QOR.16 integrated console engine constitute a complete RAQ system, but two RAQ consoles, or one RAQ and one DESQ console, may be paired with a single QOR.16 for cost-effective multi-console deployment.
Additional Information
| QOR.16 Connections | Microphone Inputs: 2x balanced XLR-F, with selectable Phantom power Analog Inputs: 8x RJ-45, StudioHub+ standard. Analog Outputs: 4x RJ-45, StudioHub+ standard. AES/EBU Inputs: 1x RJ-45, StudioHub+ standard. AES/EBU Outputs: 1x RJ-45, StudioHub+ standard. GPIO: 4x DB-15 Livewire: 4x 100BASE-T with PoE, RJ-45 2x 100BASE-T, RJ-45 2x 1000BASE-T, RJ-45 2x Gigabit, SFP (Small Form Pluggable) Console Frame Connections: 1x, 6-pin “latch and lock” style Accessory Connections: 1x, 6-pin “latch and lock” style |
|---|---|
| Microphone Preamplifiers | Source Impedance: 150 Ohms Input Impedance: 4 k Ohms minimum, balanced Nominal Level Range: Adjustable, -75 dBu to -20 dBu Input Headroom: >20 dB above nominal input Output Level: +4 dBu, nominal |
| Analog Line Inputs | Input Impedance: 20 k Ohms Nominal Level Range: Selectable, +4 dBu or -10dBv Input Headroom: 20 dB above nominal input |
| Analog Line Outputs | Output Source Impedance: <50 Ohms balanced Output Load Impedance: 600 Ohms, minimum Nominal Output Level: +4 dBu Maximum Output Level: +24 dBu |
| Digital Audio Inputs and Outputs | Reference Level: +4 dBu (-20 dB FSD) Impedance: 110 Ohm, balanced (XLR) Signal Format: AES-3 (AES/EBU) AES-3 Input Compliance: 24-bit with selectable sample rate conversion, 20 kHz to 216kHz input sample rate capable. AES-3 Output Compliance: 24-bit Digital Reference: Internal (network timebase) or external reference 48 kHz, +/- 2 ppm Internal Sampling Rate: 48 kHz Output Sample Rate: 48 kHz A/D Conversions: 24-bit, Delta-Sigma, 256x oversampling D/A Conversions: 24-bit, Delta-Sigma, 256x oversampling Latency <3 ms, mic in to monitor out, including network and processor loop |
| Frequency Response | Any input to any output: +0.5 / -0.5 dB, 20 Hz to 20 kHz |
| Dynamic Range | Analog Input to Analog Output: 102 dB referenced to 0 dBFS, 105 dB “A” weighted to 0 dBFS Analog Input to Digital Output: 105 dB referenced to 0 dBFS Digital Input to Analog Output: 103 dB referenced to 0 dBFS, 106 dB “A” weighted Digital Input to Digital Output: 125 dB |
| Equivalent Input Noise | Microphone Preamp: -128 dBu, 150 Ohm source, reference -50 dBu input level |
| Total Harmonic Distortion + Noise | Mic Pre Input to Analog Line Output: <0.005%, 1 kHz, -38 dBu input, +18 dBu output Analog Input to Analog Output: <0.008%, 1 kHz, +18 dBu input, +18 dBu output Digital Input to Digital Output: <0.0003%, 1 kHz, -20 dBFS Digital Input to Analog Output: <0.005%, 1 kHz, -6 dBFS input, +18 dBu output |
| Crosstalk Isolation, Stereo Separation And CMRR | Analog Line channel to channel isolation: 90 dB isolation minimum, 20 Hz to 20 kH Microphone channel to channel isolation: 80 dB isolation minimum, 20 Hz to 20 kHz Analog Line Stereo separation: 85 dB isolation minimum, 20Hz to 20 kHz Analog Line Input CMRR: >50 dB, 20 Hz to 20 kHz Microphone Input CMRR: >50 dB, 20 Hz to 20 kHz |
| Audio Processing | Mic Equalizer (applicable to up to 6 faders) Frequency Bands: 20Hz to 320Hz, 125Hz to 2KHz, 1.25KHz to 20KHz. Cut/Boost range on each band: -25dB to +15dB. Q-factor: Automatic – bandwidth varies based on amount of cut or boost. |
| Power Supply AC Input, QOR.16 with RAQ Console | Auto-sensing supply, 90VAC to 240VAC, 50 Hz to 60 Hz, IEC receptacle, internal fuse Power consumption: 100 Watts |
| Operating Temperatures | -10 degrees C to +40 degrees C, <90% humidity, no condensation |
| Dimensions | W 19.0 in (48 cm), H 3RU, 6.97 in (177.0 cm), D 2.54 in (64.50 cm) |
| Regulatory | Europe: Complies with the European Union Directive 2002/95/EC on the restriction of the use of certain hazardous substances in electrical and electronic equipment (RoHS), as amended by Commission Decisions 2005/618/EC, 2005/717/ EC, 2005/747/EC (RoHS Directive), and WEEE. |