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Description

Product Description

Six-fader Axia® RAQ console provides a convenient way to add a physical mixing surface nearly anywhere, no matter how space-limited. RAQ has six rotary faders with OLED channel options displays, two stereo mixing buses and Preview (cue) bus, a high-resolution OLED meter display with switchable VU / PPM ballistics, and monitor / headphone controls for auditioning of Program buses or two assignable External monitor source selections.

RAQ is built for heavy duty work. Aircraft-quality switches feature all-LED lighting. The anodized metal work surface features rub-proof, etched markings that can’t rub off. Smooth, accurate rotary faders with push-on/push-off channel switches make fast work of audio control. And RAQ features Axia’s famous fully-automatic mix-minus for phone callers and codec sources, too. Show Profiles give instant recall of up to 4 pre-defined console “snapshots”.

RAQ is ideal for standalone installation, but networks with larger Axia networks too. A RAQ control surface and a QOR.16 integrated console engine constitute a complete RAQ system, but two RAQ consoles, or one RAQ and one DESQ console, may be paired with a single QOR.16 for cost-effective multi-console deployment.

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Additional Information

QOR.16 Connections

Microphone Inputs: 2x balanced XLR-F, with selectable Phantom power

Analog Inputs: 8x RJ-45, StudioHub+ standard.

Analog Outputs: 4x RJ-45, StudioHub+ standard.

AES/EBU Inputs: 1x RJ-45, StudioHub+ standard.

AES/EBU Outputs: 1x RJ-45, StudioHub+ standard.

GPIO: 4x DB-15

Livewire:

4x 100BASE-T with PoE, RJ-45

2x 100BASE-T, RJ-45

2x 1000BASE-T, RJ-45

2x Gigabit, SFP (Small Form Pluggable)

Console Frame Connections: 1x, 6-pin “latch and lock” style

Accessory Connections: 1x, 6-pin “latch and lock” style

Microphone Preamplifiers

Source Impedance: 150 Ohms

Input Impedance: 4 k Ohms minimum, balanced

Nominal Level Range: Adjustable, -75 dBu to -20 dBu

Input Headroom: >20 dB above nominal input

Output Level: +4 dBu, nominal

Analog Line Inputs

Input Impedance: 20 k Ohms

Nominal Level Range: Selectable, +4 dBu or -10dBv

Input Headroom: 20 dB above nominal input

Analog Line Outputs

Output Source Impedance: <50 Ohms balanced

Output Load Impedance: 600 Ohms, minimum

Nominal Output Level: +4 dBu

Maximum Output Level: +24 dBu

Digital Audio Inputs and Outputs

Reference Level: +4 dBu (-20 dB FSD)

Impedance: 110 Ohm, balanced (XLR)

Signal Format: AES-3 (AES/EBU)

AES-3 Input Compliance: 24-bit with selectable sample rate conversion, 20 kHz to 216kHz input sample rate capable.

AES-3 Output Compliance: 24-bit

Digital Reference: Internal (network timebase) or external reference 48 kHz, +/- 2 ppm

Internal Sampling Rate: 48 kHz

Output Sample Rate: 48 kHz

A/D Conversions: 24-bit, Delta-Sigma, 256x oversampling

D/A Conversions: 24-bit, Delta-Sigma, 256x oversampling

Latency <3 ms, mic in to monitor out, including network and processor loop

Frequency Response

Any input to any output: +0.5 / -0.5 dB, 20 Hz to 20 kHz

Dynamic Range

Analog Input to Analog Output: 102 dB referenced to 0 dBFS, 105 dB “A” weighted to 0 dBFS

Analog Input to Digital Output: 105 dB referenced to 0 dBFS

Digital Input to Analog Output: 103 dB referenced to 0 dBFS, 106 dB “A” weighted

Digital Input to Digital Output: 125 dB

Equivalent Input Noise

Microphone Preamp: -128 dBu, 150 Ohm source, reference -50 dBu input level

Total Harmonic Distortion + Noise

Mic Pre Input to Analog Line Output: <0.005%, 1 kHz, -38 dBu input, +18 dBu output

Analog Input to Analog Output: <0.008%, 1 kHz, +18 dBu input, +18 dBu output

Digital Input to Digital Output: <0.0003%, 1 kHz, -20 dBFS

Digital Input to Analog Output: <0.005%, 1 kHz, -6 dBFS input, +18 dBu output

Crosstalk Isolation, Stereo Separation And CMRR

Analog Line channel to channel isolation: 90 dB isolation minimum, 20 Hz to 20 kH

Microphone channel to channel isolation: 80 dB isolation minimum, 20 Hz to 20 kHz

Analog Line Stereo separation: 85 dB isolation minimum, 20Hz to 20 kHz

Analog Line Input CMRR: >50 dB, 20 Hz to 20 kHz

Microphone Input CMRR: >50 dB, 20 Hz to 20 kHz

Audio Processing

Mic Equalizer (applicable to up to 6 faders)

Frequency Bands: 20Hz to 320Hz, 125Hz to 2KHz, 1.25KHz to 20KHz.

Cut/Boost range on each band: -25dB to +15dB.

Q-factor: Automatic – bandwidth varies based on amount of cut or boost.

Power Supply AC Input, QOR.16 with RAQ Console

Auto-sensing supply, 90VAC to 240VAC, 50 Hz to 60 Hz, IEC receptacle, internal fuse

Power consumption: 100 Watts

Operating Temperatures

-10 degrees C to +40 degrees C, <90% humidity, no condensation

Dimensions

W 19.0 in (48 cm), H 3RU, 6.97 in (177.0 cm), D 2.54 in (64.50 cm)

Regulatory

Europe: Complies with the European Union Directive 2002/95/EC on the restriction of the use of certain hazardous substances in electrical and electronic equipment (RoHS), as amended by Commission Decisions 2005/618/EC, 2005/717/ EC, 2005/747/EC (RoHS Directive), and WEEE.

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